• Videos

    The Moon Ain’t Fallen On Me Yet (Live 2-25-14)

    moon-vid

    Smothered (Acoustic by RJ Comer)

    smothered-vid

    RJ Comer and Dilana – Bootleg – Molly Malone’s

    bootleg-vid

  • Wreckage of the Future

    Americana, Country, Blues

    Wreckage of the Future is inspired by the same young friend of RJ’s who inspired the Dance Hall Pimps’ single Mommy Was A Zombie. Relentlessly expecting the worst possible outcome means forever living in the Wreckage of the Future. Having a healthy laugh at that pathology is sometimes the best relief. RJ’s loves country blues songs where the singer is laughing at his own folly a la Jerry Reed’s She Got the Goldmine, I Got the Shaft, Merle Haggard’s Think I’ll Just Sit Here and Drink, and Johnny Bond’s 10 Little Bottles.

    I see debris before the explosion
    I smell the smoke before the flame
    I feel the mud slide before the erosion
    I heard the Devil comin’ long before he came
    I spot the lie
    Before it is spoken
    I tie me down while I’m still free
    I feel my heart break
    Before it gets broken
    I know the tragic end of a love story for me
    Since the wreckage of my past shows that I been cursed
    To the Wreckage of the Future that’s where I go first
    The best laid plan is always to expect the worst
    I think I’m fired before I’m in trouble
    I’d rather quit before the give me the sack
    I tried to leave town to start my life over
    But when I hit the road the road just hit me right back
    Since the wreckage of my past shows that I been cursed
    To the Wreckage of the Future that’s where I go first
    The best laid plan is always to expect the worst
    Ya gotta think positively is what all them smart folks say
    When I think positively it’ll be a good day
    I know positively it’ll go the other…
    Way up ahead a dark cloud’s formin’
    I start to drown while I’m still dry
    I see the flood rise before it get stormin’
    If death is a release then I prob’ly won’t die
    Since the wreckage of my past shows that I been cursed
    To the Wreckage of the Future that’s where I go first
    The best laid plan is always to expect the worst

  • Got Two Kitchens

    New Orleans-style Jazz, Acoustic, Americana.

    In the American south, and interestingly also in the Fijian islands, a man who keeps both a wife and a regular mistress is said to have “Two Kitchens.” Got Two Kitchens is a playful romp in the vein of New Orleans songs from early- to mid-Twentieth Century.

    Got a kitchen in the farmhouse bakes my bread
    Got a kitchen in town servin’ pie instead
    A kitchen in town, another at home
    ‘Cause a man can’t live on bread alone
    I Got Two Kitchens
    Yeah I Got Two Kitchens
    Go to bed hungry? I think not
    Got Two Kitchens ‘cause I sure can eat a lot
    When the farmhouse kitchen done shut down
    I take my appetite right to town
    If the kitchen in town shut its door
    Then it’s back to the farmhouse eat some more
    I Got Two Kitchens
    Yeah I Got Two Kitchens
    Go to bed hungry? I think not
    Got Two Kitchens ‘cause I sure can eat a lot
    Some guys got two cars they drive”
    Just one car makes ‘em feel deprived
    Got a Caddy for the game and a Chevy to appease the wife
    Two cars make them guys feel right
    Two kitchens satisfies my appetite
    Gourmet cuisine or red beans and rice
    Variety’s the spice of life
    I Got Two Kitchens
    Yeah I Got Two Kitchens
    Go to bed hungry? I think not
    Got Two Kitchens ‘cause I sure can eat a lot
    Now when I ain’t eatin’ I’m fillin shelves
    Them two kitchens don’t stock themselves
    I had a good idea now I know this much
    Even with two kitchens there’s no free lunch
    I Got Two Kitchens
    Yeah I Got Two Kitchens
    Go to bed hungry? I think not
    Got Two Kitchens ‘cause I sure can eat a lot

  • Hell Hole Swamp

    Americana, Acoustic, Swamp.

    Hell Hole Swamp is a real place in South Carolina along Highway 41 near Jamestown and Moncks Corner—which are by all standards very nice little towns despite their adjacency to Hell Hole Swamp. Jamestown hosts the annual Hell Hole Swamp Festival with a very competitive beauty pageant to name the Hell Hole Swamp Queen. Hell Hole Swamp is also the site of famous Revolutionary War skirmishes between American war hero General Francis Marion (the “Swamp Fox”) and the British forces led by Colonel Banastre Tarleton. The area was originally settled by the French Protestant Huguenots whose influence on religion and culture can still be found around Hell Hole Swamp.

    White mist creepin’ ‘cross the Forty-One
    Carolina moon seepin’ rings of blood
    Good ol’ boys sleepin’ off the Gator Run
    Black water keepin’ secrets in the mud
    Beautiful child dreamin’ pageant dreams
    Jamestown’s nicer than a town should seem
    so close to Hell Hole Swamp
    The monks on the corner got their eye on the gate
    That the Swamp Fox lured the king’s assassins through
    Them Tarleton boys they was just gator bait
    As the water closed around ‘em like it tend to do
    In fury they came in silence they fell
    Or so the story goes that the old folks tell
    Sometimes ‘round Hell Hole Swamp
    Huguenot whispers still are heard in the trees
    When the canopy darkens and the critters fall still
    The un-redeemed stranger gets down on his knees
    Either God claims his soul or the Hell Hole will
    Beauty and danger occupy the same space
    in the shadowed grace of this ironic place
    Called Hell Hole Swamp

  • If I Could Be Water

    Adult Contemporary, Country, Singer/Songwriter

    One of the loneliest feelings is the feeling of unworthiness… the feeling that there is no way you can ever be good enough or redeem yourself in eyes of your beloved. Even when you imagine yourself differently, you can’t escape the condemnation of your own indictment and, ultimately, deny yourself the very thing you most desire. RJ describes If I Could Be Water as the softer more introspective follow-up to his rock song Wrong Guy, Baby which appears on the Dance Hall Pimps debut LP Beast for Love.

    If I could be water
    I’d wanna be rain
    Gently falling from thunder
    Softly misting your hair
    But if I could be water
    I doubt I’d fall gently through the air
    I’d be more like a river
    Always running somewhere
    If I could be water
    Water deep in a well
    A well that refreshes
    And makes wishes come true
    But if I was a wishing well
    I’d be known for wishes overdue
    Until no one comes wishing
    And least of all you
    There’s a mountain bathed in sunlight
    How to get there I don’t know
    But I see it from the shadows
    Of regrets I can’t let go
    If I could climb that mountain
    I’d say your name into the breeze
    And hope that you’d come back to me
    In rustling whispers from the trees
    If I could be someone
    Someone other than me
    I’d like to be someone
    Who is worthy of you
    If I could be someone
    Who does things as gently as you do
    Then I could be rain
    And a wishing well too
    If I could be water

  • It Won’t Be Christmastime ‘Round Here

    Adult Contemporary, Acoustic, Country.

    A lot of people are lonely at Christmastime, and this song is for them. But it’s not a bitter song; it’s really a Christmas love song. It Won’t Be Christmastime ‘Round Here is inspired by and written for lovers separated by circumstance, particularly military personnel and their families and everyone else whose loved ones may be working away from their families at Christmastime.

    Everywhere it looks like Christmastime
    The season of good cheer
    It must be Christmastime
    But not for me this year
    Alone, and wishing you’d come back home
    But Darlin’ until then, I’ll wait for you my friend
    Until I once again hold you near
    It Won’t Be Christmastime ‘Round Here
    For everyone else it’s Merry Christmastime
    I bless them on their way
    To enjoy their Christmastime
    No one should feel like me today
    Apart from the one who owns my heart
    As tough as I try to be these tears they just roll free
    Until you’re home with me one thing’s clear
    It Won’t Be Christmastime

    No it just won’t be Christmastime
    How can it be Christmastime ‘Round Here?
    No it just won’t be Christmastime ‘round here

  • Desica

    Adult Contemporary, Singer/Songwriter.

    Like Pilate’s Dream from Jesus Christ Superstar (Andrew Lloyd Weber & Tim Rice), Desica is a soft, moody, stream that never contrives to run backwards and reprise a previous thought. It presents those fluid conflicting feelings and questions that arise in an emerging romance. RJ wrote this song as he was falling in love with the woman who is now his wife. They’ve been married 16 years.

    She appears through frosted glass
    Rapidly familiar
    And I think she’s come at last
    How long have I been here?
    Lookin’ out through foolish floodplain eyes
    Figurin’ the angles of a thousand fruitless tries
    Promises and smokes ain’t free
    But sometimes they don’t cost much
    And there’s comfort in quantity
    I been seen on that crutch
    If no one is everything then what can you live without
    And if I were everything then what would she do with doubt?
    She holds secrets like shells hold sea
    Gotta listen careful
    She’s as honest as she can be
    Unless it’s something dreadful
    A two-faced mask hangs strangely on the wall
    One side’s laughin’ the other side don’t laugh at all

  • Test Category

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  • Video

    Coming Soon…

  • Dance Hall Pimps← back

    Dance Hall Pimps

    “The front cover of Los Angeleno band Dance Hall Pimps’ debut album oozes sex, rock & roll and a healthy smattering of the macabre. After the alluring and deceptive opening panpipes on Seems Holy, Beast For Love becomes a sweaty, sexy romp through 12 tunes of rockabilly madness.” – Rave Magazine

    “Combining dark and twisted subject matter and wistful lyrics with upbeat tempos and mind blowing vocals, the album can hardly fit neatly into any genre. Innovative lyrics and catchy hooks are what have created memorable tracks with great stories.” – Rockwired Magazine

    Punk Nation voted the Dance Hall Pimps’ second album, The Dead Don’t Walk, one of the top albums of the year and the interview with frontman RJ Comer one of the best interviews of the year.

    beast for love

    RJ created the 7-piece roots and blues rock show band Dance Hall Pimps (his first band) and was quickly approached by two record labels. In 2012 the Dance Hall Pimps released their debut LP, Beast for Love (Lakeshore Records). They released their second album The Dead Don’t Walk on November 5, 2013 (Growling Moon Records).

    Order Beast for Love and The Dead Don’t Walk on Amazon or iTunes.

  • RJ Solo← back

    RJ’s “Porch Music” Project

    RJ-at-SL-2RJ’s Porch Songs are acoustic mash-ups of moody Americana, blues, New Orleans jazz, swamp, and acoustic rock.

    “Porch songs as a genre isn’t a nuanced hipster description streaked in irony. Its music you can play on a porch, day or night, blue or bouncing—simple as that.” –RJ

    “Most of these songs are inspired by the music my Dad, my Mom, my Grandpa and the rest of the family played around the campfire and at home on the porch when it was warm enough… except the really sad ones, they come from a time later. But I played them sad ones on a few porches too, and a few street corners, a couple of broken curbs, even sittin’ on the hood of my car—that’s a travelin’ man’s porch.” –RJ

  • Music← back

    Music


    Steppin’ Down


    Smothered


    Wreckage of the Future


    I Wasn’t Born an Angel


    Outlaws Cadence


    The Moon Ain’t Fallen on Me Yet


    Got Two Kitchens


    The Fire Won’t Die


    Hell Hole Swamp


    Just a Closer Walk with Thee and When the Saints Go Marching In (Live Jam)
    download2

  • Contact RJ← back

    Contact RJ

    RJ Comer
    Entered Apprentice Music
    7119 W. Sunset Blvd. #348
    Los Angeles, CA 90046

    rjcomermusic@gmail.com


  • Collaborators← back

    Collaborators

    I’m lucky I live in LA and get to play music with a lot of great players. Honestly, not all these folks have actually played on my porch… yet. – RJ

    Steve Carr – Clarinet (Got Two Kitchens; Wreckage of the Future)
    Flute (Desica)

    Steve Carr is a renown freelance studio musician and a signed recording artist, playing saxophone, flute, and clarinet in the Dance Hall Pimps (Lakeshore Records). His work on saxophone, flute, clarinet and synthesizers has enhanced the music of numerous movies and TV shows such as “Poseidon Adventure”, “Star Trek Voyager”, “The Scorpion King”, “Money Talks”, “FX2”, “American Dreams”, “Matlock” and “Dallas” to name a few.

    He has worked with many notable composers including Lalo Schifrin, Charles Fox, Benny Carter, Lenny Neihaus, John Parker, Buddy Collette, John Cacavas and David Rose. A personal highlight was playing tenor sax on the Benny Carter Band’s Japan tour with Dizzy Gillespie, Johnny Griffen, Marlena Shaw and Phil Woods. Most recently he was a featured soloist on the 2001 Grammy nominated “The Buddy Collette Big Band in Concert” album. Steve is a co-owner of SR Technologies, a company which makes high quality, computer manufactured saxophone mouthpieces. He personally designs many of SR’s highly successful products. Steve has a Master’s Degree in Music Composition and theory from the University of California at Riverside.

    Steve and RJ also write songs together and are collaborating on a jazz project.

    Davey Chegwidden – Percussion (Desica; Got Two Kitchens; Hell Hole Swamp; If I Could Be Water; Wreckage of the Future)

    Davey Chegwidden is a soft-spoken giant among percussionists. He has played on tracks for major-label recording artists including Black Eyed Peas and Macy Gray, as well as genre stars like Rhythm Roots All-Stars and Raya Yarbrough. Davey’s bands include Breakstra, Connie Price & the Keystones, and The Lions.

    His work can be heard on countless motion picture soundtracks, most particularly Oceans Thirteen. A cultivator of sound, community and culture, Davey hosts a weekly show Sunday nights at Del Monte Speakeasy in Venice, California called Bacchanal. Davey describes the weekly residency as “a cool, fresh vibe with high quality art.”

    Johnny DeMarco – Guitars (Desica; Got Two Kitchens; Hell Hole Swamp ; Wreckage of the Future)

    Johnny DeMarco hails from the home of Rock: Cleveland, Ohio—and he is one of the nicest guys you will ever meet. After graduating from the University of Akron, Johnny got into the local music scene as a guitar teacher and performer. He also received considerable notice throughout the mid-west as a founding member of the DeMarco Brothers band.

    Relocating to Las Vegas, Johnny spent several years playing the casino circuit in Nevada. Now in California, Johnny is an in-demand session player and has been delivering technique clinics for Roland/Boss since 2000. Often heralded for his lightning-fast rock guitar technique, Johnny is also an accomplished acoustic guitar player. Johnny has also filled in for Dance Hall Pimps guitarist, Jeff Jourard.

    Eddie Fish – Stand-up Bass (Got Two Kitchens; Wreckage of the Future; Hell Hole Swamp)

    Eddie Fish is the bass player of the Dance Hall Pimps (Lakeshore Records) and has played bass in countless other bands. Primarily known as an electric bass player, Eddie has had a chance to show what he can do on stand-up bass on this project.

    RYAN “Fatal” FAYE – Guitar (It Won’t Be Christmas ‘Round Here’)

    Ryan Faye is an in-demand session player and guitar teacher. Under his nom de guitar “Fatal” he shreds in the reggae punk band Too Rude (Suburban Noize Records).

    Armen Ksajikian – Cello (Desica; If I Could Be Water)

    Not your average concert cellist, Armen Ksajikian takes his cello far beyond his role as principal and soloist with the Hollywood Bowl Orchestra and the Los Angeles and Opus chamber orchestras. Kzajikian likes to play outdoors in places with natural acoustics. His musical adventures have included performing in the Grand Canyon, on Mendenhall Glacier, and within the Fortress of the Bears sanctuary in Sitka, Alaska.

    Armen began his professional career at the age of 12 with the National Philharmonic of Abkhazia in the former Soviet Union. He is a member of the adventurous and widely-acclaimed Armadillo String Quartet.  His film and televisions credits are too numerous to list, but among soundtrack performers he has the unique distinction of being heard playing cello on the soundtrack and acting in True Lies. That is Armen playing cello on the soundtrack at the very moment his character is being killed on-screen.

    Jay Leach – Pedal Steel (It Won’t Be Christmastime ‘Round Here)

    Jay Leach is one of the most accomplished guitar, banjo, mandolin, and pedal steel players in the music industry and author of several books on finger picking style and arrangements. He has worked or recorded with Roy Orbison, Barry Manilow, Gladys Knight, John Denver, The Pointer Sisters, and Kirk Whalum; has been session guitarist on over 70 contemporary Christian albums including artists such as Carman, Barry McGuire, and Joni Eareckson Tada; and was also the guitarist for the Promise Keepers band.

    His TV Credits include: American Idol (with Kenny Rogers, Carrie Underwood, Martina McBride, and Kelly Pickler); several episodes of Touched by an Angel, Matlock, In The Heat of The Night, Murder She Wrote, Jake and the Fatman; and cartoon episodes of Lilo & Stich and Hey Arnold. Film soundtrack credits include: Team America, Six Days and Seven Nights, Down and Out in Beverly Hills, Urban Cowboy, Smokey and the Bandit III, Big Business, Mars Attacks, Gone Fishin, Tough Enough, A Simple Wish. Jay is also man of deep faith who recently recorded a much acclaimed version of Amazing Grace which Fingerstyle Magazine praised as “new life to an old classic.”

    Ana Lenchantin – Cello (It Won’t Be Christmastime ‘Round Here)

    Ana is a not only a talented and accomplished cellist, she is also a truly delightful person and is the cellist of choice in the Rock & Roll world. She is Known for frequent appearances with American rock bands such as Train, Into the Presence, The Eels, Gnarls Barkley, No Doubt, Arthur Lee and Love, A Perfect Circle, Nine Inch Nails, Queens of the Stone Age, 30 Seconds to Mars, Brian Wilson, Billy Corgan, Billy Howerdel, Glenn Hughes, Jenny Lewis, Melissa Auf der Maur, Damien Rice, Kerli, Lenka, and many more.

    Ana toured with Eels in their 2005 “Eels with Strings” tour and appears on Eels with Strings: Live at Town Hall.

    She has made numerous appearances on the late night television shows such as on Late Night with Conan O’Brien, The Tonight Show with Jay Leno, Late Show with David Letterman, Last Call with Carson Daly, The Late Late Show with Craig Ferguson and Later… with Jools Holland in England.

    While on tour with Gnarls Barkley in 2006, Ana Lenchantin was contacted by Trent Reznor of Nine Inch Nails to perform and be Musical Director of the “unplugged” version of NIN at Neil Young’s Bridge School Benefit. In 2009 she returned to perform at the Bridge School Benefit, this time putting a string group together with the band No Doubt.

    Producers

    Matt Hyde (It Won’t Be Christmastime ‘Round Here)

    Matt Hyde is a Grammy™-winning (Johnny Lang-Turn Around) producer, engineer, mixer and musician. He attended Berklee College of Music in Boston. After graduating he toured with several different bands, playing guitar and keyboards. He met Perry Farrell and joined Porno for Pyros as both producer and member of the band.

    Matt has programmed, engineered, or produced tracks with No Doubt, Cypress Hill, Slayer, Rufus Wainwright (Zoolander soundtrack), Johnny Lang, Sum 41, and is currently at work with The Deftones. With Rob Hill, Matt also co-produced the Dance Hall Pimps debut LP Beast For Love (Lakeshore Records).

    Rob Hill (Desica; Got Two Kitchens; Hell Hole Swamp; If I Could Be Water; Wreckage of the Future)

    Rob Hill’s production credits include: Everlast, Korn, Soul Assassins, Xzibit, Wu-Tang Clan, Cypress Hill, Queen, Jackson Browne, the Cars, R.E.M., Zayra Alvarez, Northern State, Fuel (band), “Skinhead ” Rob Aston, Psycho Realm, Tim Armstrong, Molotov (band), Depswa, Tourettes (band), Transplants (band).
    With Matt Hyde, Rob also co-produced, engineered, mixed, and played additional percussion on the Dance Hall Pimps debut LP Beast For Love (Lakeshore Records).

    Engineer

    Chris “Rake” Rakestraw

    Studios

    Sunset Lodge Recording Studios

    Casa De R&R

  • About RJ Comer← back

    About RJ Comer

    RJ-Universal-Bar-Grill-CompressedRJ’s a city boy with swamp water in his veins, a profound disappointment to his parents, and the banjo-wielding front man of the blues rock show band Dance Hall Pimps. RJ’s Americana solo project fuses moody dark troubadour, classic smoky jazz, blues, and rock—taking him back to the days of playing music in bad places and sometimes fighting his way out of there. His unconventional use of plectrum banjo caught the attention of Deering Banjo Company, which included him among Deering’s sponsored artists.

    RJ studied voice and composition at Sacramento State University, then worked a series of day jobs while playing acoustic blues. He once worked as a singing waiter in a country music-themed steak house. They loved his music, but they fired him for being a terrible waiter. They also weren’t too happy with him when he and the fiddle player spontaneously broke into Pachelbel’s Canon in D with RJ playing the string quartet parts on guitar.

    In 2009, RJ launched his first band the Dance Hall Pimps, who were quickly approached by two record labels. In 2012, the Dance Hall Pimps released their debut LP, Beast for Love, on Lakeshore Records. RJ and the Dance Hall Pimps recently released their second LP The Dead Don’t Walk—which dropped November 5, 2013 (Growling Moon Records).

    about_rj3John Schneider (Dukes of Hazzard) asked RJ to write the title track to his horror/comedy “SMOTHERED”. Six Dance Hall Pimps tracks are also on the soundtrack.

    RJ is currently working on his solo album, due out in 2014. There’s talk of him going to New Orleans to make the record.

  • Photos← back

    Photos

    • Shows1← back

      Shows

      Upcoming Shows

      March 13, 2014

      April 24, 2014 – House of Blues Voodoo Lounge

      8:30 pm – ALL AGES – 8430 Sunset Blvd., West Hollywood CA

      Click HERE for tickets

      Shows Archive

      February 27, 2014

      March 11, 2014 – SXSW Showcase at Austin Ale House

      1:00 pm – 301 W. 6th St. Austin, TX
      Open to the Public and SXSW Ticketholders

      January 29, 2014

      February 25, 2014 – WitZend

      8:30 pm – 1717 Lincoln Blvd. Venice, CA

      January 30, 2014

      February 20-22, 2014 – Sunset Sessions

      Hilton Carlsbad Oceanfront Resort, Carlsbad, CA & Belly Up Tavern, Solana Beach

      January 19, 2014

      January 27, 2014 – The Oyster House Saloon

      9:00 – 11:00 pm – Sitting in on vocals with the Steve Carr, Rick Fleishman Jazz Quartet – 12446 Moorpark St. Studio City, CA

      January 12, 2014

      January 25, 2014 – The Mint

      8:00 pm – 6010 W. Pico Blvd., Los Angeles 90035

      January 16, 2014

      January 22, 2014 – Molly Malones

      10 pm – By Special Appearance with Dilana Robicheaux – Philippines Disaster Relief Benefit – 575 S. Fairfax Avenue, Los Angeles 90036

      April 4, 2013

      January 13, 2014 – Republic of Pie

      8:00 pm – 1118 Magnolia Blvd. North Hollywood – Free


      April 4, 2013

      August 25, 2013 – Santa Monica Soulstice 2013

      2:00 pm – 220 Fitness Stage (Pier Ave., west side)

      April 4, 2013

      August 18, 2013 – Folkish Music Festival

      Marin Country Market Larkspur, California


      April 4, 2013

      August 17, 2013 – The Plough & The Stars

      9:15 pm – 116 Clement St San Francisco, CA 94118


      April 4, 2013

      August 8, 2013 – The Other Door

      10:00 pm – 10437 Burbank Blvd. North Hollywood


      April 4, 2013

      August 4, 2013 – Mar Vista Farmers Market

      10:00 am – Grand View at Venice Boulevard Los Angeles


      April 4, 2013

      July 5, 2013 – Universal Bar & Grill

      7:00 pm – 4093 Lankershim Blvd. North Hollywood


      April 4, 2013

      July 3, 2013 – Mixology 101

      9:00 pm – 6333 W. 3rd St. Los Angeles


      April 4, 2013

      May 16, 2013 – Genghis Cohen

      9:30 pm – 740 N. Fairfax Ave. Los Angeles


      April 1, 2013

      April 20, 2013 – On The Rox

      10:30 pm – On the Rox above the world famous Roxy Theatre, $10 21+


      February 28, 2013

      RJ-Nathan-Fox

      March 30, 2013 – With Nathan Foxx at the Hotel Cafe

      8:00 pm -The Hotel Café


      January 27, 2013

      January 29, 2013 – Solo Acoustic Show at Mixology 101

      8:00 pm -6333 W. 3rd St. Los Angeles

    • Press & Interviews← back

      Press & Interviews

      March 17, 2013

      Punk Nation Best of 2013

      Punk Nation voted the Dance Hall Pimps’ second album, The Dead Don’t Walk, one of the top albums of the year and the interview with frontman RJ Comer one of the best interviews of the year.


      March 17, 2013

      March 17th, 2013 – Artist First Radio

      RJ confesses on-stage wardrobe malfunctions and other behind-the-music details in a laugh-out-loud & revealing interview!


      February 15, 2013

      February 15th, 2013 – Red Velvet Radio

      Holly Stephey welcomes RJ back to Red Velvet Media Radio for an hour-long chat about music, love, and other indoor sports.


      February 6, 2013

      February 6th, 2013 – Fearless Radio

      RJ felt right at home on-air with Chicago-based Fearless Radio. RJ was born in the Chicago area.


      January 23, 2013

      January 23rd, 2013 – Jammin Jukebox Radio Show

      RJ caught up with DJ Delta Dawn in North Carolina to talk Americana music and more.

    RJ's latest projects

    Click to view a Project below...
    RJ’s 7-piece blues rock show band Dance Hall Pimps -- New album “The Dead Don’t Walk” (Growling Moon Records) released November 2013.
    Late at night or Sunday afternoon, feelin’ blue or cracking wise, RJ’s Porch Songs tell it like it is.

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